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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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HOUSEFULL WITHOUT AUDIENCES: THE BOX-OFFICE ILLUSION

When marketing noise replaces footfalls and perception trumps participation, Indian cinema risks hollowing itself out. The growing gap between ...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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WHEN ASHISH VIDYARTHI TURNS MEMORY INTO THEATRE

An intimate evening at Seagull Studio where Ashish Vidyarthi transforms personal memory into performance, revealing the power of storytelling, ...

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HEALTH: WHEN CANCER GETS PERSONAL

As cancer treatment continues to rely on averages and probabilities, a breakthrough approach using live tumor profiling promises to per...

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TRENDING: THE QUIET POWER OF COSTUMES

Costume designer Pia Benegal reflects on why her craft remains invisible, how clothes shape character and narrative, and why a...

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THOUGHT FACTORY: LISTENING IS THE NEW LOOKING

For years, we were trained to look, writes Vinta Nanda. Now, we are learning to listen—attentively, and without interrup...

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THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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TRENDING: AFTER ZUBEEN, A CULTURE REORGANISES ITSELF

Utpal Datta reflects on Assamese culture after Zubeen Garg, tracing legacy, rupture, and renewal across music, cinema, and sta...

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HOLLYWOOD: DESTINIES AND CULTURAL IDENTITIES

A reflective meditation on love, migration, memory, and cultural identity, this deeply personal reading of Past Lives (2023) by Vandana...

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