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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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INDEPENDENT CINEMA FINDS ITS AUDIENCE

At WIFF 2025, Kabeer Khurana, Deepa Gahlot and Siddharth Kak examined independent cinema, technology, exhibition, audiences an...

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PHULE'S THIRD EYE RECLAIMS RELEVANCE

The Third Eye, Opens Again: Phule's Forgotten Play Speaks Powerfully to Our Times. The dramatized reading of Trutya Ratna ...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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INDIA CENSUS 2027 INCLUSION CHALLENGES

Population Foundation of India calls for inclusive and secure approach to India’s first digital Census. As India begins Census 2027, conc...

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EMOTIONAL INTELLIGENCE AND THE HUMAN FACTOR

Writer Ranjan Das Gupta reflects on emotional intelligence as a human, ethical and social force. Drawing from personal experie...

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ALTERNATIVE ENTERTAINMENT: NO MAN’S LAND

Bimal Roy’s timeless displacement saga screened at Venice: As a new 4K restoration of Bimal Roy’s Do Bigha Zamin is screened at Ven...

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GENDER: A VOICE OF DEFIANCE AND REFLECTION

A bold poetic manifesto of defiance, Urban Naxal Biwi captures the anguish of modern India and challenges gender norms through Pratibh...

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THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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