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Retroscope

ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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Bollywood

GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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Trending

DINESH RAHEJA’S POETRY OF LONGING

Radhika Pandey explores Dinesh Raheja’s new poetry collection, ‘अधूरी ख़्...

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Business and Politics

HOW AIRTEL'S SOUND BUILT IDENTITY

A.R. Rahman's five-note Airtel anthem transformed sonic branding in India, proving that advertising music can become enduring ...

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Gender

WOMEN FACE A DIFFERENT LEADERSHIP CLOCK

Experience should open doors, not close them, regardless of gender. Sushmita Chowdhary examines why women’s leadership potential ...

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Alternative Entertainment

THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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Business and Politics

FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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Festivals

EDEN CREEK BENGAL REVIEWED BRILLIANTLY

Prof Dr Avinash Kolhe reviews Eden Creek, Bengal, Kaizaad Kotwal's compelling adaptation of Dwight Watson's American play, exp...

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Alternative Entertainment

PINJAR REVIEW: FREEDOM BEYOND THE CAGE

Saibal Chatterjee reviews Rudrajit Roy's Pinjar, a deeply humane drama about freedom, identity, gender and survival, examining how invisible ca...

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Alternative Entertainment

THE JOY OF UNEXPECTED DISCOVERIES

At MIFF 2026 last month, Vinta Nanda discovered three extraordinary student films from Whistling Woods International that reaf...

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