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KEECHAR VERSUS GULAL

Satyabrata Ghosh analyses the following words spoken by the Prime Minister of India in parliament: “Keechar uskey paas t...

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Two different occasions: Conversations with B Jayashree & Jyoti Subhash

Aparajita Krishna recalls conversations with theatre veterans B Jayashree and Jyoti Subhash, both mega-talents in the times th...

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The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

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Children of the Mountains

A photo-essay by the itinerant Ashis Ghatak on the spirit of the children who live and learn among the mountain valleys.

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No Man is an island

Rinki Roy Bhattacharya writes that the relentless media coverage about the pandemic we are all stuck in was guaranteed to...

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Patterns of Good Faith

On the occasion of Navroze, the Parsi New Year, a photo-feature by Ashwini Ashok Sood, on the auspicious Parsi Chalk designs Read More

Status Single & Lockdown Part II

Sreemoyee Piu Kundu says, due to the Covid-19 lockdown, many women are walking the tightrope of working at home and also worki...

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Shot by Shot: Politics of photography

Young photographer Vatsal Shah writes on the obstacles ...

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Governments to take more efforts to achieve Paris Climate Goal

On 12 December 2015 in Paris, parties to the United Nations Framework Convention on Climate Change (UNFCCC) reached a landmark agreement to com...

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The Rain: A Feral Post-Apocalyptic Dystopian Drama

In a first, streaming giant Netflix rolls out a Danish Original series that brings home the chills and thrills of a post-apocalyptic drama. ...

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