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WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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POWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER

Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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ALTERNATIVE ENTERTAINMENT: OF THAT HUMAN FACTOR

Currently, the boom in Artificial Intelligence has been viewed with mounting dread or embraced warmly as a technological revolution in image-ma...

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TV: WHEN FRAGRANCE BECAME THE TEACHER

In its first edition, Surabhi Diaries by Suhail Tatari revisits the beloved 1990s TV phenomenon Surabhi, cap...

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THOUGHT FACTORY: CREATION BEGINS WHERE OPINION ENDS

Art is born from surrender, not control. While opinions about art come from privilege and position, creation emerges from vulnerability and courage — it&rsq...

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THOUGHT FACTORY: MOVIE MAGIC DEFEATS ONLINE NOISE

Rajinikanth’s Coolie: When Sheer Movie Magic Trumps Noise (and Logic)

Everyone want...

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BOLLYWOOD: SARZAMEEN FAILS TO RISE

Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...

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POWERFUL PEOPLE: NEXT ACT, DEFYING PATRIARCHY

Khalid Mohamed interviews actor and former supermodel Dipannita Sharma on toxic Bollywood dynamics, gender politics, and her p...

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THOUGHT FACTORY: FROM MAA TUJHE SALAAM TO OPERATION SINDOOR

Invoking the mother as a symbol of national strength must honour all her children—across faiths, castes, and cultures—if Operation ...

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