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FESTIVALS: CINEMA ENDURES BECAUSE ARTISTS PERSIST

A powerful three-day gathering in New Delhi explored cinema’s endurance against censorship, showcasing suppressed films, bold conversatio...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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TRENDING: SCANDAL THAT SHOOK THE WORLD

Khalid Mohamed unspools the shocking adulterous affair in the extra-conservative era of post-independence India, and Europe, b...

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BOLLYWOOD: WHEN HISTORY MEETS HISTRIONICS

Using violence, it feeds into the stereotype, The Bengal Files weaponizes memory and history, turning past wounds into present propaganda, ampl...

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BOLLYWOOD: ‘ALL I NEED IS WOR

Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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FESTIVALS: WORDS THAT CROSS ALL BORDERS

Khushwant Singh Literary Festival (KSLF) Returns to London and Debuts at Oxford in 2025 | 7th Edition in London – May 31 | 1st Edition at...

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THOUGHT FACTORY: BOMBAY IN THE ARMS OF THE NIGHT 2.0

Sharad Raj remembers the vibrant yet gritty nights of 90s Mumbai, reflecting on its transformation from a city of contrasts to...

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POLITICS: GLOBAL VIOLENCE AND THE HUMAN TOLL

As wars and violence surge worldwide, this article explores the tragic human cost, global power dynamics, and the urgent need for peace and uni...

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BUSINESS: DO WHACKY NAMED AD-SHOPS SCORE OVER OTHERS?

In a rapidly evolving advertising landscape, a new wave of agency names is challenging traditional norms and capturing the essence of creativit...

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