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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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THE SURPLUS ROOM CHRONICLES

Shrishti Shree revisits a disturbing chapter in Mumbai’s newspaper industry, where journalists were isolated, silenced, ...

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STUDENT CITY PART 1

A sharp, evocative campus romance unfolds in The Daily Eye’s Kaleidoscope section, as Prof Dr Piyush Roy’s compelling ficti...

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HUSAIN’S JOURNEY THROUGH HIS MUSES

That Search For A Muse: M.F. Husain’s Lifelong Quest for Inspiration: Khalid Mohamed writes on the litt...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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SAFAR MEIN SHAHAR: CITY AS CHARACTER

Film critic Utpal Datta explores Mazhar Q. Kamran’s Safar Mein Shahar, examining how Mumbai em...

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A LAST CALL FOR THE PLANET

In this in-depth conversation with Vinta Nanda, Fr. Kureethadam Joshtrom reflects on ecology as an ethical and spiritu...

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HALF CAULIFLOWER, PIECE OF CAKE

Sharad Raj reflects on everyday encounters in India that reveal deep economic inequality, questioning middle-class complacency...

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