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TANUJ GARG: LEAP OF FAITH

In this exclusive interview, Khalid Mohamed speaks with Tanuj Garg about his remarkable journey from corporate executive to ac...

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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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MIRZAPUR MOVIE REVIEW: BIGGER, BLOODIER

Arnab Banerjee reviews Mirzapur: The Movie, examining its ambitious leap from streaming to cinema, Pankaj Tripathi’s com...

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FEROZ KHAN’S GENTLE ARTISTIC WORLD

Khalid Mohamed explores Delhi artist Feroz Khan’s remarkable journey from Purani Dilli banner painting to acclaimed cont...

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THE DEPARTURE OF COLOUR

The Departure of Colour, Line, and Silent Melodies is a moving tribute to master artist Narendra Nath Das, whose poetic modern...

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TANMAYA SHEKHAR: REWRITING INDEPENDENT CINEMA

In this exclusive conversation, Vinta Nanda speaks with Tanmaya Shekhar about Nukkad Naatak, a fearless caravan journey across...

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SAATH TERA: POETRY BECOMES SONG

Ahead of Saath Tera’s 24 August release, Vinta Nanda speaks with poet-filmmaker Barnali Ray Shukla about longing, Old Delhi, handwritten memories, an...

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MOTHERS, RESISTANCE AND COURAGE

Sharad Raj examines Sabiha Khanum and Leela Bora, two mothers whose compassion, dignity and courage reveal how motherhood can transcend...

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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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REBUILDING CONFIDENCE AFTER CAREER BREAKS

Women returning to work after career breaks can rebuild confidence through practice, volunteering, honesty, transferable skills, and small step...

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