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TV: A JOURNEY THROUGH GOD’S OWN COUNTRY

Part 2 of Surabhi Diaries by filmmaker Suhail Tatari continues his vivid recollections from the iconic cultural series Surabhi—this time ...

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TRENDING: PRIDE COMBATS PREJUDICE

Khalid Mohamed assesses a clutch of shorts and feature films on same-gender sexuality and transgender lives, released on strea...

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ALTERNATIVE ENTERTAINMENT: EI RAAT TOMAR AMAR

What happens when two powerhouse veteran actors showcase a cathartic storyline, directed by a courageous and sensitive actor-director with the ...

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POWERFUL PEOPLE: YASSA KHAN’S BOLD NARRATIVES

Filmmaker Yassa Khan shares his journey from graphic design to cinema, creating deeply personal, visually stunning films like PINK, bl...

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KALEIDOSCOPE: DISCOVERING MEHAK GOYAL’S POETRY

In an unexpected journey from skepticism to admiration, Shantanu Ray Chaudhuri explores Mehak Goyal’s evocative poetry. ...

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THE BURDERNED OF TRUTH ON SILENCE

I’m writing this column in the backdrop of the film, The Kerala Story. It is not just controversial, it can polarise and divide, writes <...

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'Bust'ing many a myth: B 32 Muthal to 44 Vare (B 32 to 44)

Janaky Sreedharan asks, “How do we talk about a film that foregrounds the bust sizes of human beings ranging from B 32 t...

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JAANE BHI DO YAARO: FOREVER IN RECALL!

Aparajita Krishna unplugs the cult classic that has already consumed generations left behind and will continue to enthral, del...

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IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

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A NOT SO QUIET PICTURE

Humra Quraishi questions the deliberate seeding of hate among different communities in India, which have lived in harmony for ...

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