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FESTIVALS: THE POWER OF CREATIVE PARTNERSHIPS

At WIFF Mumbai 2025, a dynamic masterclass in collaboration with the Indo-Canadian Business Council (ICBC) unpacked the power of international ...

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KALEIDOSCOPE: THROUGH CONFLICT, TRUTHS STAND TALL

My own encounter with the book has been a unique reader-experience, writes Aparajita Krishna. A one-of-a-kind in my reading of...

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BOLLYWOOD: DINNER IS SERVED, SUSPENSE IS NOT

A dinner party that promised tension, mystery, and satire turns into a clumsy masquerade of colonial hang-ups and self-importance. Lord Cur...

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FESTIVALS: ARE THE NATIONAL AWARDS LOSING THEIR WAY?

Once upon a time the most glamorous, eagerly-awaited and coveted award was Filmfare founded in 1954, but today the National Awards’ credi...

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KALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL

A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...

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KALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP

Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...

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MOVIES: WHY THIS ADVENTURE FAILS

A scathing critique of Sonar Kellay Jawker Dhan by Shantanu Ray Chaudhuri, exploring how lack of imagination, poor ex...

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THOUGHT FACTORY: RECLAIMING SHOORPANAKHA, REWRITING EPIC SILENCE

What becomes of a mutilated woman? In her solo piece Shoorpanakha: A Search, Parshathy J Nath reclaims a silenced voi...

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GENDER: ALL ABOUT THE PATRIARCHAL PUSHBACK

A double-edged narrative: how the Sonam-Raja murder and Deepika Padukone's casting row reveal media bias, caste patriarchy, and the urgent need...

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ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More