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RETROSCOPE: A BITTERSWEET STROKE OF INTERVENTION

A nostalgic journey from childhood Chitrahaar evenings to Hrishikesh Mukherjee’s Jurmana, tracing Bachchan’s evolving imag...

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RETROSCOPE: THIRTY YEARS AFTER...TIME FLIES

  Khalid Mohamed revisits Bandit Queen (1994), Shekhar Kapur’s film on the dacoit leader Phoo...

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POLITICS: INNOCENCE LOST IN A BARBARIC WORLD

Innocent lives are being lost as senseless violence escalates across states and borders. This article highlights how power-driven wars have no ...

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GENDER: THE RELENTLESS FIGHT FOR EQUALITY

"From the wrestling mat to the streets, Vinesh Phogat’s struggle highlights the ongoing battle against systemic injustice and gender ine...

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THOUGHT FACTORY: THE FUTURE OF DEMOCRACIES

Vinta Nanda looks at how the Internet and AI are poised to reset the world order, explores the decline of Hindutva politics an...

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POWERFUL PEOPLE: REFLECTIONS ON HOPE AND LEGACY

Humra Quraishi takes a poignant look at the challenges facing today's youth, and the enduring impact of Khushwant Singh, Gulza...

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BUSINESS: THE MANUFACTURED KISS

It’s Sohaila Kapur today, in conversation with Neha Vyaso, an Intimacy Director in Bollywood. “She’s the fir...

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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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FESTIVALS: THE SUN SHINES ON SUNNY DA DHABA

We’re thrilled to start the column ‘Zaikak’ with Siddharth Kak, author, documentary filmmaker, presenter, food critic and wel...

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THE OTHERNESS OF BELONGING

Let me start this column, on this Teacher’s Day, by saying that the teachers of the likes of Uttar Pradesh’s Tripti Tyagi ought to ...

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