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BOLLYWOOD: HAQ AND THE PRICE OF A WOMAN’S VOICE

In 1978, Shah Bano, an elderly Muslim woman from Indore, filed a petition seeking maintenance from her estranged husband—what began as a ...

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ALTERNATIVE ENTERTAINMENT: WHEN PHANTOM INDIA WAS GHOSTED

Khalid Mohamed assesses the now accessible 1969 documentary, Phantom India, helmed by the French auteur Malle, which had been ...

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BUSINESS: REFLECTIONS OF ADVERTISING’S MR. BHARAT!

From Kolkata’s colonial hangover to the rise of brand Bharat, this reflection, by Monojit Lahiri, celebrates Piyush Pand...

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THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

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ALTERNATIVE ENTERTAINMENT: WHEN TWO WORLDS COLLIDE

OTT has redefined cinema with realism and bold narratives, challenging the dominance of Bollywood and Hollywood's star-driven spectacles by ech...

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KALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT

A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...

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GENDER: ENTER THE NEW AGE | HANDS-ON MR MOM!!

Modern fatherhood redefined: from traditional roles to hands-on parenting, today’s dads embrace empathy, involvement, and emotional intel...

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POWERFUL PEOPLE: THE BIG WORLD OF PRAVESH SIPPY

Khalid Mohamed in conversation with Pravesh Sippy on changing lanes from the big-budget films of his father N...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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ALTERNATIVE CINEMA: A PAINFUL CYCLE OF SURVIVAL

A haunting Israeli drama exploring the harsh realities of a mother-daughter relationship, the inescapable cycle of prostitution, and the devast...

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