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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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ADAMYA REVIEW BY SAIBAL CHATTERJEE

Writer-director Ranjan Ghosh’s Adamya (The Unbroken) is nothing short of a marvel, writes critic Saibal Chatterj...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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FROM COPY LINES TO CROP LINES: ARTI DWARKADAS

Vinta Nanda speaks to Arti Dwarkadas about her journey from advertising to organic farming, her debut book Two Ban...

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POWERFUL PEOPLE: NOT A MAN’S WORLD ANYMORE

Huma Qureshi, who believes that Mumbai’s show business isn’t a man’s exclusive world anymore, has belted out...

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TV: THE HEART OF INDIA – MADHYA PRADESH

Part 4 of the Surabhi Diaries by Suhail Tatari: This chapter journeys through Madhya Pradesh’s cultural gems, forgotten ...

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FESTIVALS: QUEER STORIES ILLUMINATE NEW PATHWAYS

A reflection on queer filmmaking, festival curation, and representation at WIFF Mumbai 2025 — read this interview of Sridhar Rang...

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BOLLYWOOD: LOVE, AGE, CHAOS, REPEAT

A witty, uneven yet engaging romantic comedy, De De Pyaar De 2 explores age-gap love with humour, nostalgia, and emotional warmth, del...

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BUSINESS: ROHIT ARYA & WHEN DREAMS TURN DESPERATE

Rohit Arya & When Dreams Turn Desperate, by Sharad Raj, explores the fragile world of struggling actors in India’s film industry&mdas...

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ALTERNATIVE ENTERTAINMENT: DISCOVERING JEWELS AMONG THE JUNKPILE

Exhausted by the excessive violence, toxic masculinity and crass comedies of pan-Asian and global cinema, Khalid Mohamed share...

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