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THE RURAL BOY WHO BECAME A LITERARY ICON

Sohaila Kapur explores Mahesh Elkunchwar’s remarkable journey from rural Maharashtra to becoming one of Indian theatre’s mo...

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FESTIVE LOVE TRAP: THE SECOND-CHANCE DILEMMA

Across India, a survey of previously married singles reveals how festive gatherings intensify loneliness, comparison and press...

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OF WOMEN, BY WOMEN….TWO BOOK REVIEWS

Sohaila Kapur reviews Avni Doshi’s First House and Andaleeb Wajid’s Have You Met Me, exploring women’s identity, marr...

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STAR POWER DROWNS HAIWAAN’S THRILLER

Arnab Banerjee reviews Haiwaan, Priyadarshan’s remake of Oppam, arguing that an intriguing psychological thriller is overwhelmed by Akshay Kumar&rsqu...

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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT

Binod Kamble’s film Kastoori begins with a stark scene of cleaning a dirty toilet. Utpal Datta explores its portrait of marginali...

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THE JUST: POLITICS, MORALITY, VIOLENCE

Prof Dr Avinash Kolhe reviews The Just, Albert Camus’s powerful political-moral play, in its Hindi adaptation in India, ...

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INTERGENERATIONAL CINEMA COURAGE CREATIVE DIALOGUE

At the Self-Discovery: Rediscovering India Festival 2026, led by Neville Tuli, emerging filmmakers engaged in powerful intergenerationa...

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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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WHY ARCHIVING CINEMA MATTERS: NEVILLE TULI

A wide-ranging conversation on archives, cinema, and cultural consciousness, where interviewer Vinta Nanda engages Nev...

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THOUGHT FACTORY: PREGNANT RECALLS!

Writer Aparajita Krishna weaves memory, cinema, politics, motherhood and moral courage into interlinked recalls, moving from S...

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