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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Jhappi-pappi and all

Farrukh Dhondy recalls the Bhartiya Janta Party’s election victory of 2014, which he watched unfold on television when h...

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Shakespeare in Bollywood

Shakespeare travels, writes Farrukh Dhondy, in his piece on how well and how not so well the bard’s writing has been ada...

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Evening Shadows wins at Yatha Katha film festival

Sridhar Rangayan’s Gulabi Aaina and Evening Shadows to screen at Hyderabad Queer Film Festival

Sridhar Rangayan’s feature film Evening ...

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A Faust for Bangladesh

Farrukh Dhondy at his best as he recounts the attempt he once made to adapt Goethe’s Faust for the Bangladeshi screen. Read More

‘The Poetic Minimalism’ of Abbas Kiarostami

 Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandan...

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Animal Kingdom

A throwback by film historian Dhruv Somani, to the Bollywood movies in which wonder animals would prove to be proverbial scene...

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It happened one night: Mohanagar

Shantanu Ray Chaudhuri reviews Mohanagar, the latest offering, from Bangladesh, on the streaming platform Hoichoi

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Joy of Acting

Khalid Mohamed talks shop and more with Ali Fazal, who has wowed audiences with a wide range of films like Fukrey and Victoria...

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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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