SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

Oh Rajasthan!

A photo-essay by Vatsal  Shah of the former royal state of Rajasthan, where tourists and photographers flocked during the...

Question of Homesickness

Even as the on-going COVID-19 pandemic affects the world, Anil Dixit writes on the bond among Indians employed in Dubai, Abu D...

Wedding Woes

There can be no wedding in our country, without high stress and drama, some of which playwright-director Veena Bakshi has captured with humour ...

A CUT above the rest…

My friendship with her is deep.

She's a feminist and the most expressive among most whom I know.

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Decoding Girl Talk

The sangeet ritual at an Indian wedding used to be a time for women to get together and sing traditional songs, away from th...

War of Words

Though many of his plays have been absurd or surreal, Makrand Deshpande wanted to experiment with an all-out farce, and what ...

Carving a niche: Indian films nominated for Toronto International Film Festival

Grabbing a spot each in the world premiere for Toronto International Festival are films Omerta, Mukkabaaz and The Hungry. Omerta is directed by director Hansal Mehta, Mukka...