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DHURANDHAR REVIEW SPECTACLE VERSUS SUBSTANCE

Dhurandhar – The Revenge unfolds as an ambitious spectacle, blending geopolitics, action, and emotional conflict, yet struggles to sustai...

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THE CURIOUS CASE OF PRIYADARSHAN

He’s back in the news. After a prolonged hiatus, the essentially South Indian filmmaker is returning to the arena of Bollywood cinema, wi...

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JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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INDIAN FARMERS BLINDSIDED BY CINEMA

Khalid Mohamed examines the deepening crisis faced by India’s farmers and how their ongoing struggles are overshadowed b...

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ASSI REVIEW: JUSTICE ON TRIAL

A Scathing Indictment of a Society Where Justice Arrives Too Late. Arnab Banerjee reviews Assi, Anubhav Sinha’s searing ...

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VADH 2 EXPLORES JUSTICE AND AGING

Crime, Conscience, and Companionship in the Twilight Years: Arnab Banerjee.
Jaspal Singh Sandhu’s Vadh 2 examines ...

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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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THOUGHT FACTORY: THINKING SLOWLY IN NOISY TIMES

A year-end reflection on The Daily Eye’s Thought Factory, where writers interrogated art, power, cinema, gender,...

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RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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