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MAHARASHTRA’S ENDURING STATE THEATRE COMPETITION
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RAMAYANA PART ONE: EPIC RETELLING
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Search ResultPOWERFUL PEOPLE 2025: THOSE WHO REFUSED THE EASY ANSWER
Power, in 2025, did not always announce itself loudly, nor did it seek instant legitimacy. Across cinema, poetry, activism, pe...
Read MoreTHOUGHT FACTORY: A SILENCE THAT SHOUTS
An incisive reflection by Sohaila Kapur on speech and silence, moving from personal memory to cultural critique, revealing how...
Read MoreALTERNATIVE ENTERTAINMENT: FETED ABROAD, FORGOTTEN AT HOME
When art-house brilliance wins global acclaim but faces neglect in its own country, it forces us to question the moral compass of our cinematic...
Read MorePOWERFUL PEOPLE: ‘I’M EVERY WOMAN’
Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback
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BOLLYWOOD: SARZAMEEN FAILS TO RISE
Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...
Read MoreGENDER: THE LEGACY OF QUEER FILMS IN INDIA
From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...
Read MoreTHOUGHT FACTORY: REAL ACTORS DON'T FIT BOLLYWOOD
Despite the rise of India's finest acting talents, Bollywood continues to sideline them, favouring glamour and star power over substance, skill...
Read MoreTHOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION
Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...
Read MoreTOPS GLOBALLY. FLOPS LOCALLY.
Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...
Read MoreWHO’S AFRAID OF FILM CRITICS?
Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...
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