POWERFUL PEOPLE: ‘I’M EVERY WOMAN’

Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback

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BOLLYWOOD: SARZAMEEN FAILS TO RISE

Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...

GENDER: THE LEGACY OF QUEER FILMS IN INDIA

From hidden subtexts to revolutionary narratives, Indian queer cinema chronicles a defiant evolution—resisting erasure, embracing complex...

THOUGHT FACTORY: REAL ACTORS DON'T FIT BOLLYWOOD

Despite the rise of India's finest acting talents, Bollywood continues to sideline them, favouring glamour and star power over substance, skill...

THOUGHT FACTORY: INDIAN INDEPENDENT CINEMA’S EVOLUTION

Exploring the journey of Indian independent cinema from the constraints of the pre-internet era to the digital renaissance, highlighting key fi...

TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

WHO’S AFRAID OF FILM CRITICS?

Monojit Lahiri does a checkout on the significance of film reviews and how they pan out differently for serious cineastes from...

The Filmfare Awards: Nothing ‘Fair’ About It

The history of these prestigious awards is a sorry saga of favouritism and cronyism that has deprived deserving candidates time and again. Read More

INDIA AT CANNES 2022: RAMP-SHAMP! AIR KISSING AND ALL

It’s déjà vu time, one more time in the world’s most prestigious and revered film fest. Monojit Lahiri Read More