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CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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WHY MOTHERS ECLIPSE FATHERS DAILY

Monojit Lahiri explores why Mother’s Day commands greater emotional resonance than Father’s Day, exam...

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PRESENTING LOVE IN AN UNUSUAL ROLE

Monojit Lahiri explores how love, emotion, intimacy, and human connection have evolved from personal values into powerful business tool...

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BRECHT RETURNS THROUGH BENGALI THEATRE

In an era dominated by cinematic spectacle and digital distraction, writes Arnab Banerjee, a committed group of theatre practi...

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ANANTH MAHADEVAN AGAINST THE ODDS

In this candid interview with Khalid Mohamed, filmmaker-actor Ananth Narayan Mahadevan reflects on cinema, theatre, rejection,...

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BOLLYWOOD LYRICS – FROM A TO...OMG!!

A sharp, nostalgic and provocative exploration of how Hindi film lyrics have evolved from poetic romance to market-driven expression shaped by ...

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BOLLYWOOD FAME, FORGOTTEN STARS, CAUTIONARY TALES

Today Mumbai’s film actors have wised up to the fact that fame and fortune don’t last forever. Several yesteryear doom-laden storie...

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BOLLYWOOD: MEMORY, MEANING AND THE MOVING IMAGE

A year-end reflection on Hindi cinema through The Daily Eye’s seasoned critics—where nostalgia met urgency, specta...

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FESTIVALS: THREE DAYS OF UNMISSABLE BRILLIANCE

In its final three days, the Prithvi Theatre Festival surges toward a spectacular finish, offering dance, theatre, storytellin...

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