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FLASHBACK & FORWARD

Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Kr...

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A DELIGHTFUL TAKE ON ART & CREATIVITY

In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of...

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Is a woman incomplete if she's not a mother?

Monojit Lahiri unfolds a poignant real life story of how a student of his overcame society’s regressive gaze upon her be...

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Imagination: The fodder of existence

An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar

‘You Want Crorepati Glasses?’

It’s everywhere, on the streets, in living rooms, on cellphones and endorsement billboards. Khalid Mohamed writes on the...

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ETERNAL CHARISMA

Khalid Mohamed reconstructs the Rajesh Khanna he knew.Indian cinema’s first acknowledged superstar 10th death anniversar...

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WHO DESERVES RECOGNITION & REWARDS?

Are SRK and Virat with their luxurious 10-star lifestyle, more worthy than the real champions of change, dedicated to show the light to the neg...

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The Flashback Experiment

Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on...

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The Filmmaker And The Feminist

Vinta Nanda chats with Rinki Roy Bhattacharya, one of the first feminists, a woman greatly respected by the entire fraternity ...

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Father’s Day: Is It A Royal Phus?

Why does Mother’s Day get more importance than Father’s Day? Monojit Lahiri attempts to investigate the na-insafi....

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