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Women and Welfare

Humra Quraishi’s commentary today views welfarism and how it has gone wrong in India because it was applied only after p...

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Geetanjali Kulkarni: 25 years an Actor

Aparajita Krishna views actor Geetanjali Kulkarni’s life and career through the prism of her cutting-edge work in theatr...

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Abar Bochhor Koori Pore: For old time’s sake

A new Bengali film explores the relationship between five school friends who come together after twenty years. Shantanu Ray Chaudhuri <...

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Hijab: The divisive agenda 2022

Humra Quraishi looks closely at the systematic way in which the Right-wing groups are deepening divisions between the Hindu an...

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Valentine’s Day: Ishqbaazi or Dramabaazi

Monojit Lahiri investigates what this day of ‘love, Valentine’s Day, means to people at large. He asks, “Dif...

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When Atul Met the Movies

Khalid Mohamed in conversation with India’s prime, contemporary artist, Atul Dodiya, on his unbreakable bond with art an...

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Bully Bai and the mainstreaming of hate

Humra  Quraishi questions hate politics and the utter disregard for the Constitution of India by the fringe that is being...

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Our Film Festivals: Tamashas or reality checks

Monojit Lahiri investigates whether our film festivals are arty time-pass or educative game changers.  <...

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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Seizing the moment: Ravi K. Chandran

Eminent cinematographer, Ravi K. Chandran in conversation with Khalid Mohamed, on the unfettered joys of still photography. Read More