Visual Instinct

Khalid Mohamed writes on discovering the rule-breaking art of Vishwanath Math on social media in the time of the Coronavirus.<...

Farm Bills: Exciting times for advertising

All the politics around them notwithstanding, the new Farm Bills could open up an entirely new domain of work for advertising and media. Read More

Radical and Revolutionary: Smruti Koppikar

In this interview with Vinta Nanda, Smruti Koppikar throws light on the way that journalism in India has chan...

Hello FAU-G! Bye-Bye PUBG!

Dr Sandeep Goyal writes that Akshay Kumar’s announcement has given FAU-G both the PR hi-ground, and possibly a first mover advantage crea...

From Activism to Slacktivism

Amit Khanna writes that even as hundreds of millions wake up to a good morning message from friends and family, an equal if no...

Zen and the art of Sanjay Chhel

Vinta Nanda goes on a roller coaster ride with Writer, Director, Artist, Lyricist, Columnist a...

Kill kill, bang bang

Khalid Mohamed reviews  the cop flick Class of ’83 and more fare streaming on the channels currently.

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

The Forever Story: Protima Gauri (Bedi)

Humra  Quraishi writes that Protima Bedi, was the quintessential modern Indian woman who had once written her own destiny...