Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

Question of Age: The believe-it-or-not pluck of Chunibala Devi

Khalid Mohamed writes on the uncanny story of Chunibala Devi, who at the age of 80 portrayed the tetchy yet lovable village gr...

No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

Raj Marphatia: A Bombay Boy who never lost

He was the first non-white President of the prestigious Harvard Law Review, writes Dilip D’souza

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Reignmen: Salman, Aamir & Shah Rukh Khan

Khalid Mohamed on why Salman, Aamir and Shah Rukh Khan have continued to reign in Bollywood through three decades.  

Wake up & smell the Propaganda

Liquidity via monetary policy is like blood infusion into a patient admitted for a heart transplant in a near death situation. And fiscal stimu...

Woman of Song: Usha Khanna

Dhruv Somani makes a case to revisit Usha Khanna, one of Bollywood’s few and certainly the most prolific and popular women composers.

Sabir Masani ki Ajeeb Daastan

Meet a film writer who has been denied his just dues and name in the credits

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