A FIRST DAWN BY SHARADA RAMANATHAN

Vidivaanam (a first dawn) explores a deeper reflection of very basic concern for our very existence through music, movement and verse, reflects...

SHAKESPEARE & BOLLYWOOD – JAB THEY MET!!

Manojit Lahiri takes you on a fascinating journey where hamlet and omelet often clash!

Ch...

HOW WILL I KNOW PEACE

Humra  Quraishi revisits the artist Satish Gujral and his words, as she tries to make sense of the polarisation and lack ...

TOLLYWOOD’S GIFTED ACTORS

Bengali cinema and filmmakers, though revered worldwide, still do not draw much attention within India. It may have to do something with the ov...

#SHOUT UNTIL YOU’RE HEARD

The newsdesk at The Daily Eye reports on the preview of the film #SHOUT, hosted by Population First and supported by...

WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

ABOUT BRINGING GURU DUTT TO BENGALI READERS

Satyabrata Ghosh shares the process it took to translate in Bengali the works of Nishikant Thakar and Arun Khopkar for Guru Dutt: Teen Onker Ek Shokantika....

IS IT TIME TO RECONSIDER THE TERM BOLLYWOOD?

Monojit Lahiri does a close–up of this tricky issue and reaches out to the readers now for a solution to the word Bollyw...

RHYTHM’S CHOSEN CHILD

Here Sharada Ramanathan goes back and forth in time to understand the towering Tabla maestro Ustad Zakir Hussain’s geniu...