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BUSINESS: THE AD INDUSTRY INCUBATES ITS FUTURE AT GOAFEST 2025

24 student delegates from MICA, SIMC, Loyola College, and Miami Ad School are attending the festival free this year; organizers to extend initi...

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POWERFUL PEOPLE: IN THE NAME OF THE FATHER

From Ajmer to artificial intelligence, Kamal Swaroop’s cinematic odyssey spans surreal visions, forgotten histories, and radical pedagogy...

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MOVIES: AAMAR BOSS WEARS MANY MASKS

A bittersweet tale of family, loneliness, and emotional overdrive, Amaar Boss blends sentiment with slapstick, raising valid questions while slipping often into me...

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FESTIVALS: RESTORED CLASSIC ARANYER DIN RATRI SHINES BRIGHT

At Cannes 2025, Film Heritage Foundation unveils restored masterpieces by Satyajit Ray and Sumitra Peries, spotlighting South Asia's cinematic ...

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ALTERNATIVE ENTERTAINMENT: OF HUMAN BONDAGE

Through his unflinching lens, GMB Akash documents the unseen struggles of the marginalised — using photography not just to witness suffer...

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GENDER: EXIT MATASREE...ENTER MOM–KI HOYA??

Once the emotional anchor of Hindi cinema, the quintessential Bollywood mother shaped generations of storytelling with her sacrifice—unti...

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BOLLYWOOD: IN DÉFENSE OF THE MERCHANTS OF BOLLYWOOD

Glossy or gritty, art or commerce, celebrated or scorned — India’s cinematic juggernaut continues to provoke, inspire, and divide. ...

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TRENDING: EKJUTE’S ANNUAL ACTING WORKSHOP

Discover your true potential with Ekjute Theatre Group’s Annual Acting Workshop—where legends teach, stars are born, and passion me...

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BOLLYWOOD: SOME STORIES STAY BURIED

Why a sequel to Zubeidaa can never be made: because truth, memory, and myth blur irreversibly when royalty, cinema, and unresolved grief intert...

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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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