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KALEIDOSCOPE: A TALE SET IN THE TIMES OF ANARCHY

With Kahini: A Story of Our Times, Om Books International’s recently published English translation of his 2008 Assamese novel by the same...

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BOLLYWOOD: FRANK & FEARLESS, GULZAR…UNCUT!

Monojit Lahiri recalls an amazing conversation with a dear, cherished and hugely respected friend of over 5 decades, Bollywood...

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BOLLYWOOD: IN DEFENCE OF MAINSTREAM, MASALA MOVIES

Monojit Lahiri attempts a non-judgmental take on ‘Brand Bollywood’. He asks, “Professing undying allegiance ...

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MOVIES: RECOMMENDATIONS FOR A LAZY SUNDAY

The #newsdesk recommends films that are much talked about and rated high on the critics’ scale. It’s the weekend! Check them out ri...

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BOLLYWOOD: SUCHITRA SEN, BENGAL’S QUEEN OF HEARTS

Monojit Lahiri remembers actress Suchitra Sen, the charismatic superstar who ruled the screen for 25 years, before vanishing f...

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BOLLYWOOD: DO OUR FILM AWARDS GUARANTEE REWARDS?

Indian film awards don’t bestow any real commercial legitimacy or credentials for the recipients in terms of a brighter future? M...

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BUSINESS: THE MANUFACTURED KISS

It’s Sohaila Kapur today, in conversation with Neha Vyaso, an Intimacy Director in Bollywood. “She’s the fir...

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MOVIES: HERE’S WHAT RANJAN DAS RECOMMENDS

From Tarantino’s Inglourious Basterds, Kinatay & the Filipino Underbelly, to Justine Triet, Kieslowski and an American-Iranian, check...

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MOVIES: THE ORIGINAL GLAM DIVAS OF BOLLYWOOD

Both of them made relatively quiet debuts in the early ‘70s, Zeenat in OP Ralhan’s Hulchul (1971), and  Parveen in BR Ish...

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POWERFUL PEOPLE: THE POET IMPRESSIONIST

On the occasion of the 58th Jnanpith Award for Gulzar saab, Humra Quraishi revisits her friendship with him an...

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