BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

THOUGHT FACTORY: BOLLYWOOD HEROINES FROM GRACE TO GRIT

Monojit Lahiri attempts to objectively investigate this contentious issue, diving into generational perceptions of Bollywood h...

BOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS

War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...

ALTERNATIVE ENTERTAINMENT: ANIRUDDHA’S CINEMATIC EVOLUTION

Aniruddha Roy Chowdhury returned to Bengali cinema after a hiatus of almost a decade, during which he made waves with his Hind...

RETROSCOPE: JAIDEV COMPOSED, SILENCE SANG ALONG

On Jaidev’s birth anniversary which was two days ago, on 3^rd August, Shantanu Ray Chaudhuri remembers the uns...

POWERFUL PEOPLE: ‘I’M EVERY WOMAN’

Richa Chadda Exclusive Interview 2025: On Marriage, Motherhood, Acting, Heeramandi, and Her Bold Comeback

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RETROSCOPE: WAQT CHANGED HINDI FILMS FOREVER

Sixty years since its release, Waqt remains a landmark of Hindi cinema, introducing the ensemble cast format and modernising the &lsqu...

FESTIVALS: STORIES FOUND PURPOSE THAT AFTERNOON

On a rain-soaked Mumbai day, WIFF’s Impact Workshop brought together storytellers, changemakers, and filmmakers to explore how films can ...

BOLLYWOOD: SARZAMEEN FAILS TO RISE

Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...