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MOVIES: POISE WITHOUT EMOTIONAL ENTRY

Billed as a tribute to Rituparno Ghosh, Indradeep Dasgupta’s Grihapravesh does not lack ambition and scale. But the effort shows...

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RETROSCOPE: WHEN MELODY WAS KING

His lovingly built bungalow, Ashiana, on the Bandra seafront has survived the encroachments of real-estate sharks of sky-high towers. And despi...

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BOLLYWOOD: LOVE TRIUMPHS IN SAIYAARA AGAIN

A surprise hit, Saiyaara blends old-school romance with modern aesthetics, reviving the “forever love” narrative in an age...

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BOLLYWOOD: REVIEW - TANVI THE GREAT

A heartfelt yet oversimplified tale of autism, Tanvi The Great delivers emotional highs but falters in depth, relying on sentiment ove...

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KALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES

On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...

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RETROSCOPE: CENTENARY OF A REBEL POET OF CELLULOID

Ranjan Das Gupta marks 100 years of Guru Dutt, the visionary director who blended poetry, pathos, and protest in cinema, trans...

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FESTIVALS: FUTURE AND LEGACY OF INDIAN CINEMA

A Bold New Chapter: SCREEN Academy Fellowship Empowers Young Filmmakers. From nurturing emerging voices to restoring timeless ...

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TRENDING: PRIDE COMBATS PREJUDICE

Khalid Mohamed assesses a clutch of shorts and feature films on same-gender sexuality and transgender lives, released on strea...

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BOLLYWOOD: MAALIK IS BLOOD, DUST, SWAGGER

Even Earnest Rajkummar Rao Can’t Fully Rescue This Formulaic Gangster Drama. Pulkit’s Maalik is a gritty,...

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TRENDING: A THOUSAND QUIET EXPLOSIONS OF CREATIVITY

From provocative fiction to powerful grassroots screenings and a festival of global cultures—meet the quiet revolutionaries reshaping Ind...

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