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Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

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A Life in Translation: Gita Krishnankutty

Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan...

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Ritu Nanda’s memoir by Sathya Saran

Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta ...

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The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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‘Having a blast’ is a very ordinary thing to do!

How often have we all said, “Hey, let’s have a blast”, or, “What a blast we had last night”, writes Vinta...

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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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Ma Tujhe Salaam!

A cursory look will reveal to you just her outer sheen - a talented, smart, confident woman, full of laughter a...

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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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A Fragmented Sky

Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian cult...

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Building bridges: Rekha Surya

Even before her soulful voice creates magic and captivates you, her charismatic persona hits you with an overpo...

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