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FESTIVALS: ARE FILM FESTIVALS TAMASHAS OR REALITY CHECKS??

Often dismissed as elite echo chambers, film festivals straddle praise and parody. Monojit Lahiri investigates whether our film festivals are a...

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ALTERNATIVE ENTERTAINMENT: TWO RIVERS, ONE JOURNEY

Celestina and Lawrence explores post-demonetization India through the intertwined lives of two tribal migrants, looking at urban alienation, id...

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BOLLYWOOD: THE SCENT OF KHUSHBOO LINGERS

Gulzar’s Khusboo is a poignant cinematic journey through memory, grief, and poetic storytelling—where emotional subtlety, ...

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TRENDING: MAGICAL RENAISSANCE OF MALAYALAM CINEMA

A deep dive into Malayalam cinema’s renaissance through V.K. Cherian’s lens, exploring Noon Films, the A-Team of filmmakers, and th...

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ALTERNATIVE ENTERTAINMENT: REAL HEROES OF SATYAJIT RAY

What makes Ray’s heroes unique, special, extraordinary?? On the legend's 33rd death anniversary Monojit Lahiri attempts to provide both l...

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BOLLYWOOD: LET HEROINES BE FUNNY, TOO

Comedy Roles for Bollywood Heroines? Kya Joke Mara!! Monojit Lahiri wonders why good, solid comic roles are not writt...

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MOVIES: THE SOULFUL STILLNESS OF PURATAWN

Suman Ghosh’s new film marks the return of Sharmila Tagore to Bengali cinema after a long hiatus. Shantanu Ray Chaudhuri...

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BOLLYWOOD: WHAT MADE MANOJ KUMAR SPECIAL?

Monojit Lahiri’s frank and candid take explores the predictable explosion of emotions and nostalgic tributes from collea...

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THOUGHT FACTORY: REAL ACTORS DON'T FIT BOLLYWOOD

Despite the rise of India's finest acting talents, Bollywood continues to sideline them, favouring glamour and star power over substance, skill...

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BOLLYWOOD: BEING MANOJ KUMAR WAS NO LAUGHING MATTER

Manoj Kumar, iconic filmmaker and patriotic storyteller, left an indelible mark on Indian cinema with socially-rooted narratives, deep symbolis...

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