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Search ResultLENSED BY SAHIR RAZA, APURVA GOURI SINGS TO GAUHAR RAZA’S LYRICS & ZICO A.KA. SOUTRIK CHAKRABORTI’S TUNE
The theme song for the Mere Ghar Aa Ke To Dekho campaign, in the voice of Apurva Gouri, written by Gauhar Raza and directed by Sahir Raza was r...
Read MoreA NATIONAL CAMPAIGN BRINGING COMMUNITIES TOGETHER ON AUGUST 15, 2023
A national level campaign, #MereGharAaKeToDekho (Visit My Home, Be My Guest) is being launched by hundreds of national networks, secular and de...
Read MoreBOLLYWOOD TIK-TALK: WHAT’S COOKING IN THE ENTERTAINMENT WORLD!
From the release of the sensational Made in Heaven 2 trailer to the latest about Shekhar Kapur, Emraan Hashmi, Karishma Tanna – it’...
Read MoreBOLLYWOOD TICK TALK: BARBIE SHINES AMID OTHER HEADLINES
Well, it’s all about Tejasswi Prakash: The Real-Life Barbie Bringing Pink Perfection to the Fashion Scene!, reports The Daily Eye...
Read MoreTIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS
Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...
Read MoreA MAVERICK MOVING SEAMLESSLY BETWEEN THE TRITE AND THE HALLOWED
Ranjan Das takes us on a visit to a phenomenon who left an indelible mark on viewers, Utpal Dutt, the maverick we continue to ...
Read MoreTHE MAGIC OF CHALTI KA NAAM HAI GAADI
Diamonds are forever. So are good movies. Comedy is a tough genre to handle, it requires extreme sensitivity, sense of timing and comprehensive...
Read MorePAVING THE WAY FOR QUEER INCLUSION IN INDIAN WORKPLACES
Addressing LGBTQIA+ workplace discrimination through inclusive policies, Anurag Kundu, Chairperson DCPCR, launched 3 short films highlighting exclusion in workplaces, repor...
Read MoreABOUT THE SONG OF SCORPIONS AND IRRFAN
Irrfan Khan’s only real home was cinema, says Anup Singh.
The story of The Song of ...
Read MoreJAFAR PANAHI: STRUCTURE, AUSTERITY & SOCIAL CRITICISM
Sharad Raj discusses the cinema of Iranian filmmaker Jafar Panahi, his consummate understanding and command over time and spac...
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