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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Signs of the times: Time to talk truth to power

Humra Quraishi’s commentary demands answers and accountability for the sufferings of innocent people and she insists tha...

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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Decoding Shakespeare drama through fate

Neil Banerjee retrospects on the literature of Shakespeare on his 405Read More

This is what we voted for!

I woke up this morning to another depressing set of news headlines, writes Anupama Mandloi

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Signs of the times: You’re changing

Humra  Quraishi wonders if the bleak days will continue with new strains of the corona and the communal virus spreading.<...

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Review: Searching for ‘Happiness’

Originating from a conversation with his seven-year-old daughter, Suman Ghosh’s new film is an ode to the city of Kolkata, writes Read More

Sign of the times: Helpless Spectators

I wish I was a poet - with that, I could have unleashed my anguish and anger in verse, writes Humra Quraishi

Renuka Shahane: The Complete Woman

Vinta Nanda is on a rollercoaster ride with Renuka Shahane. The two begin from where the actor...

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