Figuring out Chaddha

An essential quality of cinema is to portray moments that are transitory in human life, writes Satyabrata Ghosh in his take on...

The Master: A Documentary

Vinta Nanda chats with Khalid Mohamed on the eve of a screening of his documentary film on Shyam Benegal, at the NCPA auditori...

FLASHBACK & FLASHIN-FORWARD!

Aparajita Krishna, here, flashbacks and goes forward with Gopi Desai, Podcaster, Actor, Filmmaker and Writer and Suhail Akhtar...

The Ghost of Flaherty

Thinking in retrospect, it is most likely that it was during the shooting of this sequence that the ghost of Robert Flaherty started to hover around me, writes Ramchandra P...

A Requiem For Mayfair Cinema

English movies which essentially meant Hollywood films (Hollywood being the benchmark for “good cinema” catering to the English-spe...

K.K RAINA: The Act of Life!

Aparajita Krishna walks down the road, which brought writer, director, actor K.K. Raina, from his homeland Kashmir to Mumbai, ...

When Dreams Fade

Film historian Dhruv Somani narrates the cautionary tale of Katy Mirza, the Playboy Bunny who sought a career in Bol...

Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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