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Call Her Ganda: A Mother's Chance to fight for her Daughter

Call Her Ganda, a documentary by Filipino-American director PJ ...

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Questioning Society’s long history of Villainizing Women

Amanda Knox knows all too well what it’s like to be made into a villain. The 30-year-old writer-activist'...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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When Love Dies

The title may sound mundane but Tayari Jones’s An America...

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Cannes in Support of Films made by Dissident Directors

The 71st Annual Cannes Film Festival is scheduled to be held from 8 to 19 May 2018. Asghar Farhadi's psych...

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Can Facebook Weaponize Information and Incite Violence?

While the recent Cambridge Analytica data privacy scandal is the main focus for American lawmakers questioning ...

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The More Things Change…

Ajit Dalvi’s Marathi play Samajswasthya, directed by Atul Pethe, is a startling reminder that in spite of all the progress India has witnessed ov...

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Is Freedom of Speech Facing a Debacle in our Free Nation?

Give me the liberty to know, to utter and to argue freely according to conscience, above all liberties.” -John Milton, Areopagitica.

It ...

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The Breadwinner': Best Animated Feature of 2017

From executive producer, Angelina Jolie and the creators of the Academy Award-nominated The Secret of Kells and Song of the Sea, comes the highly-anticipated new feature ba...

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Rape as a Weapon of Destruction

Rape and sexual slavery are actively being used as means of warfare in Central African Republic, with armed forces on both sides guilty of it.

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