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TIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS

Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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WILL WE TRUST EACH OTHER AFTER THE WAR?

This week Humra  Quraishi looks back at her conversations with well-known sociologist Professor Imtiaz Ahmad, who passed ...

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FATHER’S DAY: ARE DADS LESS IMPORTANT THAN MOMS?

Why is Mother’s Day celebrated with such blockbuster drama, passion and emotion, forever resonating big with the collective imagination, ...

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FILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!

Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...

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ABOUT THE SONG OF SCORPIONS AND IRRFAN

Irrfan Khan’s only real home was cinema, says Anup Singh.

The story of The Song of ...

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RETURN TO INDIA

An interesting conversation between the courageous, outrageous but emotional Dolly Thakore, and Vinta Nanda, which brings back...

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TOPS GLOBALLY. FLOPS LOCALLY.

Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...

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CAN MODELS…ACT??

Monojit Lahiri attempts to check out the blur between acting the art, and acting the glamour touch given to Bollywood cinema -...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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