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DILIP KUMAR: THE BIG BURGLAR

Dilip Kumar burgles his way into the performance of every Indian actor of substance whether the actor likes it or not, writes Kamlesh P...

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Sita Rattan: Her blue and yellow moments

Vinta Nanda visits Sita Rattan’s canvases and explores the well of consciousness that she draws out her art from.

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After a Pause

Film historian Dhruv Somani, writes on Bollywood’s comeback syndrome, or why top stars quit and then reboot their careers.

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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SAHOBASHE

Debutant filmmaker Anjan Kanjilal and stars Anubhav Kanjilal and Ishaa Saha speak to Shantanu Ray Chaudhuri about their forthc...

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A genius having mastered many arts: Satyajit Ray

Humra Quraishi revisits the auteur Satyajit Ray’s life on the eve of his hundredth birth anniversary

Jai Siya Ram…

Vinta Nanda deconstructs gender inequalities in context to the toxic sexism, which Mamata Bannerjee was subjected to on the po...

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Signs of the times: Nothing’s right

Humra Quraishi says that the signs of fascism are spreading, yet as mute spectators we sit quiet and subdued.

Avijatrik: The Wanderlust of Apu

It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...

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Desperately Seeking Kim

Film historian Dhruv Somani, tracks down Kim who had vanished from the Bollywood scene, for an exclusive, freewheeling chat-fe...

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