For whom the bull tolls

Khalid Mohamed locks horns with India’s Oscar entry Jallikattu, Alt Balaji’s Bicch...

Such a Bored Game

Khalid Mohamed throws a dice at Anurag Basu’s Ludo… and checks out Pepper Chicken...

Signs Of The Modern Times

As the friction accelerates between the Centre and the Kashmiri leaders in the  Kashmir Valley, how I wish...

The Legend Of Bhai Dooj

In this piece adapted from hearsay, Vinta Nanda writes that Bhai Dooj also has a story to follow.

For Hind...

Justice Is A Blindfolded Woman

Anupama Mandloi tells you why it is a good thing that the girl gang raped in Hathras isn’t alive to see the travesty of ...

Welcome to Ashok Mishra

The two Hindi films that writer Ashok Mishra is popularly associated with in the cine-goers’ mind are Shyam Benegal’s Welcome to Sa...

Chann Pardesi: Reuniting with the cult-classic

Aparajita Krishna writes, Chann Pardesi would be a stranger to the young cine-goer, India 2020, including the young diaspora g...

A Journalist and two Gentlemen: Farooq Shaikh and Parvez Dewan

In the backdrop of actor Sushant Singh Rajput’s suicide, Humra Quraishi is reminded of what two gentlemen, Farooq Shaikh...

The Maestro: Pandit Ravi Shankar

This year – 2020 - is sitar maestro Pandit Ravi Shankar’s birth centenary year, writes Humra Quraishi