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Kerala Floods: Shame how we Indians politicised a National Calamity and Tragedy

As weeks of wild weather smashed into the north-western Australian coast in February 2018, and record summer ra...

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Shades of Saffron in Good Faith

Saba Naqvi, an accomplished and admired journalist in India, has always fascinated me. I’ve been watching her on prime-time television de...

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India’s Foreign Policy lacks substantial gains; requires Reprioritization

When historians look back at this time they will say that India was at the cusp of greatness. A high demographi...

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Making Nature’s Biological Assets Visible And Valuable

There is a two-way fluid and potentially infinite interaction and innovation frontier between Fourth Industrial Revolution technologies and Nat...

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Salman Khurshid’s ‘Triple Talaq: Examining Faith’ - A straightforward yet comprehensive view of a complicated issue?

I’m here and writing about Former Minister of External Affairs and Indian National Congress party leader,...

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The Ever Self-indulgent Bollywood Marketing

It is well known that in spite of producing the largest number of films in the world, the health of the industr...

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I will always be an art filmmaker - Sanal Kumar Sasidharan

Cinema in the time of spiralling budgets is not his scene. Sanal Kumar Sasidharan, the 41-year-old outspoken di...

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Good Luck: A Documentary Showcasing the Struggles of Miners

Ben Russell—filmmaker, artist, curator—challenges conventions of documentary representation from within to produce intense, hypn...

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Films: Opportunity in the Crisis

In several of my recent articles I have written about the crisis facing Indian film industry, specially Bollywo...

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