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THE MADRAS MUSIC FESTIVAL: BREAKING OUT OF THE VIRTUAL

Much has been discoursed about this Margazhi festival, from its sustenance over a century, to its inadequacies in inclusivity and outreach, wri...

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MY LIST OF THE MOST POWERFUL PEOPLE OF 2023: VINTA NANDA

In a world dominated by mainstream narratives and established structures, the celebration of independent art, business, social work, and litera...

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THESE CHAMPIONS OF A MODERN INDIA INSPIRED ME IN 2023: RADHIKA KHERA

I, Radhika Khera, will unveil India's modern visionaries, who advocate day after day and against all odds, for the nation that was imagined by ...

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THE BEST BOOKS I READ IN 2023: NANDITA PURI

This week-long series begins today and brings to you the best of 2023 through the eyes of the most influential among us. Author and writer Read More

2023: NOT SO MANY REASONS TO CELEBRATE!

 

In her final column of 2023, Humra Quraishi looks back at the year for events we s...

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WHO’S TO BE BLAMED: THE FILM OR INDIAN AUDIENCES

Leher Sethi walks us through the many reasons why as a society we are to blame as much for the toxic misogyny and sexism in th...

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DILIP KUMAR AT 101

Physically Dilip Kumar lived for 99 years (11th December 1922 to 7th July 2021). But like a loved and revered ancestor he...

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RAJ KAPOOR AND MY SON

Raj Kapoor’s 99th birth anniversary was on the 14th December. Kamlesh Pandey recalls the influence...

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MAHUA MOITRA KO GUSSA KYON AATA HAI?

When talking about Mahua Moitra’s expulsion from the Indian parliament, the question that haunts is, what are the rules, writes V...

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IS DIGITAL TECHNOLOGY KILLING…INTIMACY??

Monojit Lahiri does a check out on how technology has impacted the idea of intimacy and the concept of interpersonal communica...

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