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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultYOUR SILENCE IS NO ANSWER: POWERFUL VOICES SPEAK
Can filmmakers, journalists and artists be apolitical? Vinta Nanda talks to Joy Sengupta, Bishwadeep Dipak Chatterji, Urmi Juv...
Read MoreTHE COMMONALITY BETWEEN OTT STARS AND EUROPEAN ACTORS
Monojit Lahiri investigates to find out if what OTT stars are to Bollywood today, is what European actresses were to Hollywood...
Read MoreTAMAS: THE LIGHT OF TAMAS
Aparajita Krishna writes, “35 years after it lit India’s television screen and cinema, I am herei...
Read MoreTIMES THEY ARE A CHANGIN’ – FOR DOCUMENTARY FILMS
Vinta Nanda talks to documentary filmmakers, film festival directors, curators about the documentary films garnering more audi...
Read MoreAGEISM, STEREOTYPING AND PAY DISPARITY IN BOLLYWOOD
While Bollywood, masters of tokenism, has occasionally tried to counter ageism and stereotyping, it has mainly played safe, distancing itself w...
Read MoreSHAMIR TANDON: MAKING MUSIC & INNOVATIONS!
Aparajita Krishna talks to Shamir Tandon, who has heard, seen, faced music (smiling emoji) from both behind-the-scenes busines...
Read MoreFILM FESTIVALS MAKE SMALL FILMS BIG – UH-HUH!
Monojit Lahiri investigates the true meaning of these words often used in context to the Bollywood film industry: Mota Bol! Se...
Read MoreTOPS GLOBALLY. FLOPS LOCALLY.
Monojit Lahiri explores why films, which receive acclaim at International film festivals are unable to convert their critical ...
Read MoreTHE POLITICAL GAMECHANGER
Satyabrata Ghosh analyses the politics of the day, and arrives at conclusions, which opposition parties must adhere to if they...
Read MoreNOT ABOUT SWASH-BUCKLING AND SWORD-SWINGING HEROES
Here’s an interview of Dr Shoma A. Chatterji, about her latest book ‘Through the Lens, Brightly: Women in Cinema, Women at Work&rsq...
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