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RAMAYANA NEEDS MORE EMOTIONAL DEPTH
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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultTHE DIVERSE REALM OF ART HOUSE CINEMA
Characterized by its emphasis on creativity, artistic expression, and unconventional storytelling, Art House Cinema serves as a significant cou...
Read MoreTHE NEED OF THE HOUR: TUSHAR ARUN GANDHI
In this interview with Tushar Arun Gandhi, Vinta Nanda probes his mind to understand the dangers lying ahead and what are the ...
Read MoreUNDERSTANDING THE BUSINESS OF HANDCRAFTED TEXTILES OF INDIA
Vinta Nanda has this fascinating conversation with author and chronicler Savitha Suri about Khadi, the name, which belongs to ...
Read MoreEMBRACING THE RADIANCE: DIWALI’S ILLUMINATION OF INCLUSIVITY AND LIBERAL VALUES
In the kaleidoscope of cultural celebrations, Diwali stands out as a beacon of light, unity, and diversity, reports The Daily Eye #News...
Read MoreSALUTING SATYAJIT RAY’S UNIQUE HEROES
Monojit Lahiri attempts to provide both a long shot and close-up of what made Satyajit Ray’s heroes so different, specia...
Read MoreWHEN WILL THE DARK GIVE RISE TO THE MOON?
Humra Quraishi recalls the days of New Delhi’s past when the cultural hub was celebrated by envoys, especially from Arab...
Read MoreMUJIB: THE MAKING OF A NATION
The much-anticipated biographical epic delves into the life of Sheikh Mujibur Rahman, the towering political figure of Bangladesh. &ldquo...
Read MoreATTACKS ON MEDIA ARE INTENSIFYING: CIVIL SOCIETY GROUPS
India stands at 161 out of 180 nations in the world press freedom index, say civil society groups, reports the #Newsdesk
... Read Moreपानइंडिया (PaanIndia!)
The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.
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BADHTI KA NAAM DADHI: THE NEW TREND OF FACE FUZZ!
Monojit Lahiri borrows the title of the genius Kishore Kumar’s goofy satire from the classic ‘Chalti Ka Naam Gaadi...
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