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A CHAPTER ON KUMAR SHAHANI’S KASBA

Kumar Shahani’s aesthetic sensibilities were shaped while assisting Robert Bresson on Une Femme Douce (A Gentle Woman, 1969). Additionall...

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SOME LIKE IT CHILLED!!

Why? What is it about ghosts, paranormal and horror tales that is so seductive, enticing and thrillingly scary? What is behind our fascination ...

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DIAL A SHRINK SAY THE GIRLS

Animal is not only a retaliation to the women’s demand for equal rights, it is the callousness of testosterone driven marketers who don&r...

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UNDERSTANDING TRUE FEMINISM FROM KAINAZ JUSSAWALLA

When a true feminist speaks, her words are like leaves floating right before they rest their feet on the ground. Here’s Kainaz Ju...

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NO WATER, NO FOOD, NO MEDICINE, NO LIGHT

The World Health Organization (WHO) reports that the raging Israel-Hamas conflict completed a month on November 7th and more than 10,000 people...

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OM DAR-B-DAR: MOVING PIECES OF BROKEN GLASS

During the lockdown period, I made a documentary titled What’s Your Story. The idea was to figure out the factors that motivate a filmmak...

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SO MANY STORIES TO TELL: RITA MEHER

To each one of you who is dreaming big, here’s a story that will confirm that everything is possible. Rita Meher, festiv...

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BOLLYWOOD TIK-TALK: ALL ABOUT STARS, FASHION, MUSIC

There’s too much going on this week! The Daily Eye #Newsdesk brings to you everything you need to know about what the st...

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ANKUR: THE SAPLING OF PARALLEL HINDI CINEMA

“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...

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CONFLICT MUST END: LET PEACE PREVAIL ON THE WORLD AND HUMANITY

Humra  Quraishi recalls conversations she’s had with academics, envoys  over the years about the Palestinian i...

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