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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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EK HAAN BRINGS MANTO ALIVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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Search ResultBOLLYWOOD: TWO FILMS, TWO FLAWED JOURNEYS
War 2 and Tehran both promise high-octane entertainment and politically charged drama but falter under bloated storytelling, uneven execution, ...
Read MoreBOLLYWOOD: ‘ALL I NEED IS WOR
Rehana Sultan, the sensation of the 1970s following Chetna and National Best Actress Award winner for Dastak, in conversation...
Read MoreTRENDING: HUMAN STORIES STILL TOUCH HEARTS
Exploring romantic films Saiyaara and My Oxford Year, Yashika Begwani reflects on soulful storytelling, the AI era, and why hu...
Read MoreKALEIDOSCOPE: KASHMIR CASTS ITS OLD SPELL
A nostalgic return to Kashmir becomes a vivid four-day journey across Srinagar, Gulmarg, and Pahalgam—through gardens, temples, lakes and...
Read MoreALTERNATIVE ENTERTAINMENT: ART & TRUTH IN MEMORY
Assamese filmmaker Amardeep Gogoi reflects on Collage, a quietly powerful debut rooted in memory, trauma, and resilie...
Read MoreKALEIDOSCOPE: FREEZIES AND THE FIGHT FOR FRIENDSHIP
Farrukh Dhondy’s latest novel makes young readers think about big issues—refugees, prejudice, and the power of com...
Read MoreBOLLYWOOD: SARZAMEEN FAILS TO RISE
Sarzameen, posing as a political thriller, crumbles under recycled daddy-issue tropes and formulaic storytelling, wasting its stellar cast and ...
Read MoreTHOUGHT FACTORY: THE MAN WHO LISTENS TO DOGS
Through the intertwined lives of Sugar, Peppy, and Missy, Ramesh Narayan discovers not just unconditional love—but a purpose: to honour t...
Read MoreKALEIDOSCOPE: RAJESH KHANNA’S STAR STILL SHINES
On the 13th death anniversary of India’s first superstar, Gautam Chintamani revisits the enigma of Rajesh Khanna and the timeless relevan...
Read MoreKALEIDOSCOPE: THE ONE-WAY SHIPS IS A STIRRING DEBUT
A powerful debut, The One-Way Ships unearths the forgotten voices of colonial India’s ayahs—young girls torn from home, na...
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