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Celebratory Presence marks the Inauguration of 9th Jagran Film Festival in Delhi

The capital city of India once again hosted leading personalities associated with the big wide world of cinema, at the 9th Ja...

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World Report 2018: A Call to Action more essential than A Cry of Despair

The Human Rights Watch publishes an annual World Report in which the human rights records of more than ninety c...

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Boss Baby: Back in Business – A Non-Stop Blizzard of Goofiness

Just as we had managed to swim out of the drooling saliva, the fussy baby fights plus the heebie-jeebies induci...

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The Rain: A Feral Post-Apocalyptic Dystopian Drama

In a first, streaming giant Netflix rolls out a Danish Original series that brings home the chills and thrills of a post-apocalyptic drama. ...

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Call Her Ganda: A Mother's Chance to fight for her Daughter

Call Her Ganda, a documentary by Filipino-American director PJ ...

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Luke Wright's Outstanding 80s Indie Play

We all want something to believe in. It’s 1987 and Frankie Vah gorges on love, radical politics, and skuz...

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Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

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A Chinese Farming Project offers a Sustainable Future

China is grappling with a daunting conundrum: how to feed nearly one-fifth of the world’s population with...

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All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

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Simple Compassion for the Dying: Lessons from Palliative Care Providers

Dr. M. R. Rajagopal, a leading advocate of palliative care, known as India’s “Father of Palliative ...

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