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A  ROTI PLEASE!

One of the foremost signs of failing governance is that many more poor people are dying of hunger and malnutrition, writes Humra Qurais...

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When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...

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Srijit Mukherji: A Filmmaker at a Crossroad

Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri ...

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The Two Who Went Away

Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prem...

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The Religion, Caste & Poverty Discussion

In continuation of what she’s written earlier, Humra Quraishi is focusing on the young in context to the horrific commun...

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RENAMING AND SHAMING!

Humra Quraishi discusses the weapons of mass ‘distractions’ being used, by the Right-Wing forces, to deflect peopl...

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The Making of Amruta Subhash

Aparajita Krishna writes, “Amruta Subhash was cradled by very strong creative influences. Mother Jyoti Subhash (nee Desh...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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NO ONE KILLED PALAN

On the birth anniversary of legendary director Mrinal Sen, Shantanu Ray Chaudhuri Read More

BENGALI MAESTROS ON THE FAMOUS 4!

Aparajita Krishna writes, “Like the persons quoted herein many of us live with the memories of those times in Indian cin...

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