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Mirror, Mirror on the Wall

In Agnès Varda’s 1962 film Cléo from 5 to 7 (French title Cléo de 5 à 7)...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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A Fragmented Sky

Through her memories, Farah Diba Israfil encapsulates the pre-and-post-COVID eras, the recent and the deep past of Indian cult...

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The Manipur Man: Bijoykumar Tayenjam

Bijoykumar Tayenjam is an author, a poet and a civil engineer in Imphal, Manipur, writes Vinta Nanda

Signs of the time: About Indian Muslims

It’s about time we look into our backyards! And not ignore the murky events taking place there and along the by-lanes of our mohallas and...

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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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Signs of the time: Rape, the weapon of mass destruction

Humra Quraishi comments on the most recent rape of a nine-in-year old girl in the national capital of India and the ruthlessne...

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They go to die there, where there is life

Humra Quraishi veers to the bard, Gulzar’s verse written by him in the times of the pandemic.

Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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