ACTING IS “LYING FOR A LIVING!”

Monojit Lahiri examines the background behind this loaded, apocryphal statement, alluding to the great Hollywood legend, Marlo...

Curious Case of Libaas

Film historian Dhruv Somani writes on the 1982 film of Gulzar, Libaas, with an outstanding music score by R.D.Burman, which ha...

LET THERE BE MUSIC

Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-freshe...

CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

NSD & Bollywood

Who is doing for whom? Monojit Lahiri does an interview-based close-up of this contentious issue.

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Double Whammy

Film historian Dhruv Somani writes on Bollywood’s fascination for double role movies, down the decades.

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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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Our Godpapas

Khalid Mohamed takes stock of the ongoing influence of Francis Ford Coppola’s mafia don classic, The Godfather, on India...

When Disaster Strikes

Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tr...