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Usha Dixit talks television

Aparajita Krishna singles out one of her most reticent but accomplished colleagues from the pa...

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Signs of the times: She’s a street fighter

Humra Quraishi questions EVMs, expresses fear and helplessness among people with regard to dem...

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That Poisonous Bite

Khalid Mohamed reviews the BBC-commissioned series The Serpent on Charles Sobhraj, approves he...

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The Unforgettable One

On her 72nd birth anniversary, film historian Dhruv Somani, looks back with affection at the most impactful films of Parveen B...

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Oh, those snakes and ladders

Khalid Mohamed reviews the politics-as-usual drama Madam Chief Minister, is brain-boggled by Qubool Hai 2.0 and finds sol...

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The genius of Jacques Tati

Sharad Raj explores how the existential and political angst of the torchbearers of the Novell Vague got an edge over Tati when it came to intel...

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In Conversation with Uttara Baokar

I’m sharing parts of a conversation with path-making, veteran theatre actor who was ideal to generations of theatre-citizens, writes Read More

Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

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Open mail to Parineeti Chopra

Khalid Mohamed writes to Parineeti Chopra about The Girl on the The Train, has issues with Hello Mini 2, and checks out the tr...

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The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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