THE UNSETTLED SHADE

Vinta Nanda talks to filmmaker Neha Sharma about her documentary film NYBREUM and what it was that made her gravitate to the s...

NOW GAJRA KOTTARY SPEAKS TO VIEWERS, READERS & LISTENERS

The versatile author and screenwriter Gajra Kottary spoke to Shantanu Ray Chaudhuri on the demands of an audi...

UGETSU MONOGATARI: THE MIZOGUCHI TREASURE

The cinema of Kenji Mizoguchi glides in and out of people’s lives with fluid grace and exquisite tact, writes Sharad Raj...

CHICK TO CHIC: ARC OF THE INDIAN ADVERTISER

Monojit Lahiri checks out if today's Indian women are accurately portrayed by our adfrat or not?

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THE OPTIMISTS - 2023

Vinta Nanda glides into the next year with this: I decided to focus on hope and confidence, on the positive i...

THE TIMELESS CHARMER

Monojit Lahiri offers a personalized tribute to the charming actor Shashi Kapoor, whose good looks remain unmatched even today...

BE FLUID, BE YOU! KASHISH 2023

Call for submissions to Wendell Rodricks International Poster Design Contest 2023 Open: #TheDailyEyeNewsdesk

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...