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CONFLICT MUST END: LET PEACE PREVAIL ON THE WORLD AND HUMANITY

Humra  Quraishi recalls conversations she’s had with academics, envoys  over the years about the Palestinian i...

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I MAKE REGIONAL CINEMA THAT RESONATES WITH GLOBAL AUDIENCES: DISHA BHARDWAJ

Vinta Nanda gets in conversation with Disha Bhardwaj, a young filmmaker, whose first film Chupi Roh is selected to screen at t...

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TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

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INNOCENT UNTIL PROVEN GUILTY OR GUILTY UNTIL…

In these dark, stifling times, my thoughts go to many of the imprisoned citizens of India, most of them undertrials, writes Humra Qurai...

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HOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC

Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...

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MUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES

‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...

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THE EMOTION DRIVING MODERN INDIA TODAY: MAHATMA GANDHI

On the Mahatma’s 154th birth anniversary, Humra  Quraishi brings snatches of conversations she’s h...

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THE HRISHIDA I REMEMBER…

Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101st birth anniversary. Hrishida was born o...

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ARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION

O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...

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पानइंडिया (PaanIndia!)

The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.